Even the more respectable members of the conservative commentariat seem susceptible to the strange game of parsing the political significance of pop culture for the sake of determining whether x is good or bad for The Cause. The newest question: is The Bourne Ultimatum anti-American? Yes, really -- that's the question.
The problem is the film is unredeemed by any sense that America or the American government ever stands for or does anything that is right. It is a big hit overseas. ...From here the debate moves into tonier intellectual quarters, as Ross Douthat ponders whether Paul Greengrass's film wanders too far into the "large gray area between generic 'corruption in high places' films that don't have a broader anti-American message and exercises in explicit Amerika-bashing like Dogville."
The first mistake anyone who flings the “anti-American” accusation makes is to equate the government with the society as a whole. If someone or something is critical of the U.S. government, it is very often deemed anti-American or, if the person doing the criticising is American, unpatriotic. This plays by the state’s rules: it makes patriotism dedication to the state, rather than the country, and it makes the state into the embodiment of America. This is simply not true, and it’s a very good thing at times that this isn’t true. That doesn’t mean that the citizens don’t have some small part to play in the dreadful policy decisions made by the state (it is our government, after all), but the decisions being taken in Ultimatum are the sort that the public is never supposed to know about because the average citizen of this country would still probably be horrified at ordering the deaths of foreign journalists in the name of protecting some part of the behemoth security state. [...]I'll give Douthat a mulligan on this one. But it's fascinating that the very basic level of nuance Larison brings to the debate is completely beyond the grasp of people like Kaus and O'Reilly, who, for whatever reason, are unable to differentiate between certain people in a government and a nation in toto. Meanwhile even the smartest conservatives find themselves spending their intellectual energies in pop culture controversies drummed up by knuckle-dragging shouters and their vapid enablers. I suppose that's the price you pay for an attachment to a political movement that believes in the primacy of culture. But it looks pretty silly.
Mickey Kaus’ main complaint is that “the film is unredeemed by any sense that America or the American government ever stands for or does anything that is right.” Here’s the crucial point, since the movie is not concerned with America in general, but is very specifically concerned with one nasty corner of the American government.
Labels: Bill O'Reilly, culture war, Daniel Larison, Mickey Kaus, Ross Douthat
There are a lot of bad bloggers out there. But only Mickey Kaus seems to have that special talent for swallowing vacuous talking points and attempting to dress them up as incisive and original commentary. At least the folks at the Corner are obviously working for the Cause. Kaus, though, is the world's most widely-read concern troll.
It's not the same thing as confronting deeper, bigger, less easily addressed problems: How to structure the health care system, how to pay for entitlements, how to confront the terror threat, the rise of China, the problems of trade and immigration, the increase in income inequality at the top.Okay, that's fair enough. We do need to hear these things, considering that Obama failed to solve them all during his first two years as a Senator. But, uh, why aren't we hearing such loud demands that any other candidate - Republican or Democrat -provide clear answers to these questions? Do you automatically earn "substance" the longer you're in the Senate? Does "experience" exempt you from having to explicitly address the big questions of the day? Quick, without looking it up: can you tell me what plans Hillary and McCain have to tackle each of these issues?
Labels: 2008 elections, Barack Obama, Mickey Kaus, Sistah Souljah
